Showing posts with label Writings. Show all posts
Showing posts with label Writings. Show all posts

Wednesday, March 26, 2014

Announcement (plus a story, which is why this post is so long)

If anyone out there reads this blog regularly, you've probably noticed the dwindling number of posts I've been getting around to. Truth be told, my fashion blogging craze has begun to lose its sparkle and I've started drifting off towards other quote-on-quote "creative projects." Over the past week, I've been cooking up a short story, so I'll post the first few paragraphs at the end of this post to prove it to you. Hopefully, I'll be blending in more creative pieces into the typical fodder of le blog.

Start of untitled short story:

The golden sun, milky and pure, that poured into the road took me by surprise. And so did the skinny ribbon of cracked asphalt, and the wheat fields miles away from any shopping center or subdivision. Something raw and wild crept out from behind the landscape. From the rusty pick up trucks that spotted the curbs, to the creaking traffic lights that swung above the intersections, something was wedged between the cracks of it all that felt blissfully untouched. I couldn’t tell you how, but the world that lined route 463 felt perfectly removed from the rest of the universe that whirled beyond it. It was a beautiful anachronism, the idea of a two-lane road that stretched for miles like a quaint curving stripe. I sped along it with a goofy smile smeared on my face and music pumping through the speaker system, a study in smooth happiness.
Eventually, I reached the hills. They bubbled up and down making the road rise and fall and twist back over itself. I drove right past Mill Road, where I was supposed to turn right. I had to make a looping U-turn through a sparse neighborhood in order to get back to it. Driving on Mill Road was like riding a children’s roller coaster, one of those wooden Gemini Jr. ones that didn’t have any upside-down loops but had plenty of swooping turns and drops. I thought it was a sheer delight. And between the skinny skeletons of trees, when I rounded a bend, I could catch a glimpse of a huge basin of water beyond. It almost looked like a wide river if you didn’t know any better. The hills cradled it into a valley where it shimmered like dull silver.

I drove along Mill Road for 2.7 miles until it brought me to a mailbox labeled 1129. A long driveway stretched behind it leading to a house that couldn’t be seen. I pulled in slowly, rolling along the ashen pavement and passing a carved wooden sign that read “Fantasy Farm” in large, cartoonish letters. The house was made of dark panels of wood punctuated with black triangles for décor. Another big black triangle of a roof sloped casually over everything. It was a squat, horizontal house, only two floors high, and it sat like a solemn wooden dwarf in a forest clearing. The air around it had an evergreen tint, and the grass at its feet was a faded olive. It all felt a bit tired, as if the dwarf-house had been waiting for someone to arrive. But the moment people came, every crease of weariness melted into a warm welcome.


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Friday, January 31, 2014

Movie Musings - Masculin Féminin


Masculin Féminin is bursting with literary allegories, motifs, and themes. One could do a feminist interpretation of the way Madeleine constantly plays with her hair and touches up her makeup. One could psychoanalyze the scene where Catherine eats an apple. But I, for one, will spare you all that in lieu of a feverishly written fit of personal opinion...

Seeing this movie, I felt like a Parisian café dweller eavesdropping on a particular group of people as I watched the world go by. The dialogue was so natural and unvarnished, it could only be the fragments of an overheard conversation. Like an extension of the French custom of people-watching, this film celebrated those little details, plot lines, and tiny idiosyncrasies that you fill in about someone when you pass him or her on the streets. Skipping to the beat of France in the '60s, this movie presents a perfectly imperfect picture of life as a blithe adolescent in that time and place.

A personal note on a somewhat fascinating generational difference: the absence of the awkward phenomenon 50 years ago. There were many thoughtful pauses, deliberate pauses, glaring pauses, and lingering pauses throughout the dialogue, but not a single "awkward pause." Instead, everyone just seemed to say what they needed to say, ready to accept, or rather ignore, the consequences. Any silence that ensued was embraced, reveled in, and/or patiently accepted. As a result, the conversations they had were sweetly blunt and straightforward. No need for the frills and trimmings of forced wit and humor that's a necessary in small talk nowadays so as to avoid, dismiss, or acknowledge awkwardness.


What's more, this movie isn't like the idealistic, candy-coated rom-coms of today. And as a matter of fact, it isn't like most major flicks of today, the ones that glorify all of life's significant moments. Instead, Masculin Féminin focuses on the un-glorious moments, those common points in time that happen everyday. Pointless chat in a laundromat, trivial talks at dinner on a weekday night, standing up to buy popcorn at the movies. They all take place without atmospheric music or dramatic cinematography. Even the more dramatic moments (political vandalization, abrupt conversations on sex) play out without the typical glaze of Hollywood. Everything that happens just happens. It's like a study in mindfulness. This movie lives in the present and attempts to see the present how it is. I wish I could do the same. And interestingly enough, not glorifying those little things actually does glorify them, in a nostalgic, ironically aspirational way.

By giving as close a portrayal of teenage life in 1960's France as it could, albeit a delightfully artistic and subtle one, this movie is all the more effective in making its observations on people, society, etc. etc. plausible. And, as I've mentioned, a big factor that contributes to its true-to-life vibe is the script; it's so organic and unsentimentally observant. As proven by other French films I've seen (Jean de FloretteManon des sources, Entre les murs),  French cinema seems to have a knack at sharp, simplistically wise dialogue that illuminates one small, yet nevertheless important and universal, slice of human existence.


Alright, that concludes my philosophical rant for the day. Enjoy the trailer below:


P.S. I just discovered The Criterion Collection on Hulu. It's unbelievably fantastic. See their page on Masculin Féminin here.
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Saturday, January 4, 2014

Musings + A Polyvore Set

Dogue

Marni green top / Sass Bide short mini skirt / Joe's Jeans high heel shoes / VBH blue handbag / Topshop midi ring / STELLA McCARTNEY tortoise glasses / La Mer The Oil Absorbing Tonic

I got a bit carried away with the writing today…

When I go about trying to find my own personal style, sometimes I feel like I'm suffering from the identity confusion of a postcolonial literary character. Let me explain. For about fifteen, arguably seventeen, years, my fashion sense has been oppressed by the dominion of suburban-preppy garb. First, there were sweatshirts, jeans, and Uggs (à la middle school). Then subsequently, kilts, crew necks, and Lily Pulitzer (à la high school). I've also played competitive soccer since I had size four cleats, and thus I have a bit of an athlete's closet (sweatpants, drawers of cotton tees, baggy shorts--the ones that aren't the chic, runway type). Basically, if I wanted to assimilate, I didn't have much elbow room for sartorial expression.

But as senior year carries on and my time in suburbia runs out (my style ambitions sighing in glorious anticipation), I find myself in a struggle to develop a sort of "national style identity after colonial rule." How does one overcome the wardrobe culture of a cable-knit-sweater-clad colonizer and embrace an identity involving metallic mini-skirts, cat-eyed tortoise shell glasses, and fashionable chihuahuas?? That's a question I long to answer. To my dismay, you can't quite parade around The Academy dressed in sculptured stilettos and toting oversized, blue clutches without incurring puzzled snickers and accusations of "trying too hard." Like an haute-couture Jhumpa Lahiri character, I don't know if I should channel my inner Audrey and embrace la vie à la mode in all its high fashion glory, or ring in with the Girls that only know Pearls but also sport leggings and CustomInk T-shirts for those more casual days. Then again, maybe I should just approach this from another angle. Prep, if done the Jenna Lyons way, is still fashion after all. And who am I kidding, I love J. Crew. And Gossip Girl.

In the meantime, as I figure out the style I most identify with (preppy, bohemian, luxe, minimal, tomboy??) I'll just continue secretly listening to trendy Euro Hotel Lounge music (via Songza) while pretending I'm somewhere in Paris.



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Thursday, January 2, 2014

Snapshots No. 6 - Adios 2013, Buenos Dias 2014!


Behold the stowaways from my latest escapades to zesty, guacamole-infused Mexico. The skull, his name is Julio-José Fernando Santos The First, is my pride and joy. I begged my madré to do away with a well-spent 6,500 pesos (not dollars) for this guy, which actually isn't too bad for such a jewel-encrusted treasure as Julio-José. And really, what better way to kick of 2014 than with my very own (pseudo-)crystal skull, the stuff of old Mayan legends and Indiana Jones blockbusters!

I hope all of you celebrated a wonderful New Year's Eve :) Asides from the absence of Papa Richard, who flew home to the Philippines to visit my grandfather, mine was an especially memorable one. In place of string-in-a-can fights and plastic ponchos, this year's countdown salsa'd beachfront to the peppery beat of Latino melodies. And there's nothing more festive than Latino music (I've been going through a phase long before our trip), authentic tortillas, and beaded sombreros.

Below, enjoy a mishmash of pics from my trip in various, rosy-tinged filters

As for New Year's Resolutions, I've typed up and printed mine out in the meager hopes that I'll actually abide to them this time. I also drafted up a completely separate NYR list just for the blog. My top three? 1) a personal outfit post each Saturday, even though I abhor the inherently awkward and self-absorbed nature of these. 2) blog consistently, following a structured timeline. 3) quality over quantity.

I'd love to hear your resolutions, whether blog-related, food-related, fashion-related, or stave-off-senioritis-until-at-least-end-of-first-semester-related, so please comment below!


P.S. I wasn't lying when I said I've been going through a Latino music phase. To hear the Pandora-playlist evidence, just click here. I've been furiously thumbing-up my favorites, a lot of which are by Marc Anthony btw, and have now achieved a sultry mix to ease the unbearably endless haul between now and June. Post-Christmas winter is always so depressing :(

P.P.S. If you like that kinda music, why not try some Spanish? Click here or here.

P.P.P.S. Or just listen to this now:



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Friday, September 20, 2013

Things I want to try this year:

-get a French pen pal
-watch more Studio Ghibli films
-eat more avocados
-take regular yoga classes
-read up on Buddhism
-read Atlas Shrugged
-watch Il Volo in concert (they're having a tour!!)
-watch the news in the morning with coffee
-do homework in the Starbucks café in Barnes and Nobles
-catch up on Game of Thrones (I'm soo far behind...)
-go on long distance/endurance runs on a regular basis
-write a collection of short stories
-get more involved in Model UN (says my inner nerd)
-sing at a school coffee house (w/ a friend to harmonize)
-revamp my wardrobe

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Monday, August 5, 2013

My Social Life at The Internship

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Okay, so I just got back two days ago from a three-week long summer internship program. I stayed in a college dorm with a bunch of other high schoolers from around the country and the  world who were also doing their own individual internships. I spent my days working and my nights socializing. Let me tell you, though. "Socializing" at high school summer programs like this defies all normal conceptions of the word. Just imagine: You take 400 awkward high school students eager to revamp their reputation in this blank new slate of a place and what follows is the complete upheaval of all normal social rules. In the first week it was a mad race to be the loudest person, to make the most friends, to hook up with the most people. Complete social chaos I tell you. And as if that's not enough, all the international people there had their own different cultures of interacting with people, so no one ever knew what was acceptable or not.

I personally observed from a distance, slightly amused, slightly terrified. But anyway, when I got past my initial annoyance at the whole middle-school-esque atmosphere of the situation, I realized how cool everyone actually was when they weren't trying to be so cool. My favorite were the kids who went to international school or came from another country. Hands down, internationally-minded students are the most interesting group in the high school demographic. And they all seem to know each other, bragging about their global contacts in foreign nations as if each nation was just another school to them, which it probably was. Some countries of origin of my new friends: Egypt, England, Italy, Spain, Germany, Korea, Colombia, India, and South Africa, to name but a few (please excuse my bragging).

This is what I absolutely loved the most. Meeting so many people from a myriad of backgrounds was a dream come true for a travel-hungry, culture-starved, first-generation suburban teenager such as me. The conversations we had were fantastic. We would talk about restaurant bread that, when eaten, was "like chewing gum" for my one Spanish friend, or the legal age to go clubbing in India, or the explanation of countless American idioms (have you realized that to be down for something means the same as to be up for something?).

I was so sad on the last day when we had to say goodbye since the chances of any of us meeting again in person are pretty slim :( And so now, I'm here sentimentally blogging about everything as I struggle to readjust back to normal life.

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Wednesday, July 3, 2013

In the Name of Humanities

paris3-edited


Time for a little meditation on the encroaching habits of the Technological Age. I came across this article in New Republic (read it if you know what's good for you!) and suddenly, my right-brained soul didn't feel quite as subordinated. It's a speech by Leon Wieseltier at the commencement of Brandeis University. For all those college-bound teens, we're all getting swept up in the STEM trend. Science, Technology, Engineering, and Medicine, the core four building blocks of the successful and wealthy of today and tomorrow. It's the only way to go if you want to make it in life these days. But in the words of Wieseltier:
Has there ever been a moment in American life when the humanities were cherished less, and has there ever been a moment in American life when the humanities were needed more?

There are still those of us who cherish the works of human creativity, who reject, as Wieseltier describes, the "cult of data, in which no human activity and no human expression is immune to quantification, in which happiness is a fit subject for economists, [and] in which the ordeals of the human heart are inappropriately translated into mathematical expressions." Yet of course, no one in this modern age can ever reject science. Where would I be without ibuprofen? How else could I live life Claritin clear? However, Wieseltier distinguishes science with scientism:
Scientism is not the same thing as science. Science is a blessing, but scientism is a curse. Science, I mean what practicing scientists actually do, is acutely and admirably aware of its limits, and humbly admits to the provisional character of its conclusions; but scientism is dogmatic, and peddles  certainties.

Alas, as scientism takes ahold of society with a firm grip, this "defense of the humanities" is sorely needed. I have now heard two fully credible voices proclaim the death of knowledge and the birth of information. The first was Sugata Mitra, who solemnly pondered that, perhaps, "knowing is obsolete." And now, Wieseltier says:
In the digital universe, knowledge is reduced to the status of information...A great Jewish thinker of the early Middle Ages wondered why God, if He wanted us to know the truth about everything, did not simply tell us the truth about everything. His wise answer was that if we were merely told what we need to know, we would not, strictly speaking, know it.

It's an interesting thing to think about, and one can't help but wonder how all this will pan out in the long run. Will the humanities eventually cease to exist? Will culture and art and literature perish at the hands of society's natural selection? Logically, science and math are the fittest in this new, tech-driven environment, and science itself has theorized that it's all about survival of the fittest. But I am a lover of the humanities, and if you are human, then you should be, too. And now, we are under attack by robots. It's actually happening. More or less at least.. More specifically, our human individuality is under attack. Wieseltier urges:
So there is no task more urgent in American intellectual life at this hour than to offer some resistance to the twin imperialisms of science and technology, and to recover the old distinction — once bitterly contested, then generally accepted, now almost completely forgotten – between the study of nature and the study of man.

This is a weird, tricky situation, because we all love our little robots. I'm ironically using one right now to spread this message. I love my phone, my laptop, my Direct TV, my Tumblr..I'm pretty much Albert Einstein's greatest fear:
I fear the day that technology will surpass our human interaction. The world will have a generation of idiots.

In restaurants, my family and I have to set time limits on cell phone use. We have it bad. But anyway, I'm getting distracted. The point is, society as a whole these days does not prize culture and the humanities as much as it did in, say, Venus de Milo's time. Instead, Wiesltier says,
Perhaps culture is now the counterculture.

I'll never leave science or my robot friends now, but like all magic, all this technology must be used for good. And by good I mean the preservation of human, not mechanic, activity.

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Friday, June 14, 2013

Non, Rien de Rien

 Some humble (probably cheesy) philosophies and thoughts of mine about a movie that really got the pathos going.

la_vie_en_rose_1


I watched La Vie en Rose last night. The movie about Édith Piaf starring Marion Cotillard as the famed French singer. What a life Édith lived. What a crazy, devastating, glorious, and epic life. I was expecting a nice, subtle period movie about the upper crust French culture, about fame, and, of course, about the life of Édith Piaf. Something to prepare me before I go to France this weekend. About 75% of my expectations were disproven. This movie was not particularly subtle in plot line. In acting, yes. Marion Cotillard's performance was outstanding. A guttural, authentic portrayal filled with raw passion. The movie trailer shows a quote from Stephen Holding, from the New York Times: "the most astonishing immersion of another performer into the body and soul of another I've ever encountered in a film."

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But the story of Édith's life is anything but a subtle, upper crust life. The tile is quite misleading. Call me ignorant, I was, but I had no idea of the troubles and trauma she had gone through. And watching that movie, I don't think I've ever more genuinely, albeit vicariously, experienced how hard the adversities of life can be. However, despite everything, the countless maladies and hospitals, the devastating losses, the vulgar poverty, the cruel separation from those she loved most dearly, I believe that Édith still remained innocent. Or rather, she yearned for an innocence denied to her. Her experiences of course made her wise, aged her with unnecessary burdens. But yet she clung on for her life onto that pure idea of love, and she lived her life, however impossible, with unwavering, unpolished, and candid love. If anything, this is what "La Vie en Rose" refers to. This steadfast and undiluted approach to life.

I think my favorite scene might be the one where she goes to the beach in South France. She's older, more withered, hunched over, with an orange puff of hair on her head and some yarn and needles in her hand. After waving to the lifeguard she sits on the sand knitting, watching the waves roll in the sea. And then a young woman, a journalist, comes to interview her,  the questions seeming so naive: What is your favorite color? What is your favorite dish? Blue, pot roast.  Édith answers them all with a little smile on her face, short and simple, in a tone that somehow blends the heart of a child with that of and old soul. A young heart and a wise mind. Finally, the interviewer asks: What's the most important thing for an adult to know? For a woman? A child? A baby? Édith answers them all the same: To love.

A diamond in the rough, but an uncut one at that, Édith Piaf blazed through the dark universe of the world, a shooting star born from dirt and dust. She never compromised herself, stubbornly resisting the influences of others. She never let the beatings and abuses of life keep her down. In short, elle ne regrette rien.




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Saturday, December 29, 2012

Les Miserables

This post will be slightly longer than usual, so if you’re not in the mood to read my humble, PMS-infused reflections on the epic, the tragic, the one-and-only Les Miserables, feel free to skim. But I'll have you know, this movie has been on my mind constantly for the past three days…

 So I recently saw Les Mis on opening day, on Christmas, and without a doubt it was the most profound and moving experience I’ve ever had with a movie. In fact, I don’t even think it’s right to classify something like this as a movie. As expected, I was reduced to tears several times during the movie. And not sloppy, mushy, typical tears, but very special tears, or at least I like to think so.

            It wasn’t only sadness I felt, however. Les Mis brought up so many raw emotions: Love. Redemption. Camaraderie. Revolutionary spirit. A real emotional roller coaster, but not at all in a bad way, in a way that you love for the thrill. I felt like I was living life to the fullest while I watched this movie, albeit vicariously through various actors and actresses that pranced around on the screen of my local Regal theater. It's okay though, because the acting was superb all around, so believable, authentic, and unvarnished. For a production of such magnitude, these actors and actresses managed to whittle it down to its most simple and important elements but in a most subtle and complex way. 

 In a nutshell, this tragic tale of inherently good people placed in the worst of situations will inspire, astound, and break your heart. Note: watch with your fellow girlfriends, preferably those who appreciate a good, dramatic musical. This movie will also, unfailingly, bestow you with a newfound obsession over Eddie Redmayne. Whatta guy. 

Have you seen Les Mis yet? Thoughts, comments, criticisms?


image source





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